- FileElephant man
Winston Wilson, Jr., Staff Reporter
DESPITE attempts from many quarters to control it, Internet users still have the chance to listen to, or download music free of cost from various Web sites.
Web sites like Napster and Audiogalaxy give music lovers the chance to download songs, which can be stored on their computer hard drives for listening. They can also copy the music to compact discs for personal use or for sale.
Music from several local artistes is readily available from these web sites. The work of artistes like Beenie Man, Shaggy, Leroy Sibbles, Madd Anju, Elephant Man, Ken Boothe, Bob Marley, Carlene Davis, Buccaneer, Bounty Killer, Luciano, Sean Paul and John Holt are all available online.
Deejay Bounty Killer, one of Jamaica's biggest acts, is not exactly thrilled with the idea that his music can be downloaded and he does not benefit.
Promotion
"Me nah beg no fren from Napster; me no need dem promotion," he said during a tele-
phone interview, adding that he did not make his music for it to be exploited.
Deejay Elephant Man was unapologetic in echoing Bounty Killer's sentiments.
"It no mek sense people know yuh an' yuh hungry," he said.
However, there are other artistes who are willing to compromise the illegal distribution for the publicity to be gained. They do not mind, as much.
Deejay Sean Paul sees Napster as a promotional tool. Although there is no financial benefit, he "wouldn't fight dem" because he was getting exposure. He would like to get some money from them though.
For deejay Buccaneer, a system should be set up where people pay to use the works of an artiste. He cited a case of a Russian, having learnt of his music through Napster, being a fan forever. He said that although the artiste was helped "in some way", it also impacted negatively on record sales.
According to some industry insiders, Jamaican artistes and by extension their record companies, suffer dwindling profit margins because of Internet music-sharing companies.
Sonic Sounds, a Jamaican music distributor, has had a 50 per cent decline in sales because of web sites like Napster and Audiogalaxy which give music pirates easy access to Jamaican music.
Sales down
The company's managing director Jason Lee said that sales have been going down over the years, but since December 2000, it got considerably worse.
"Napster is not the only threat. It is technology in itself and the burning of CDs that is threatening the business," Mr. Lee said.
VP Records has suffered a 10 per cent decline in profits in the last two years.
The New York-based record company the largest distributor of reggae music in the world, attributes most of this revenue loss to 'napsters' like Napster.
"People download the same music we are distributing and make and sell CDs. Every day I see it," Shawn King, marketing manager at VP Records told The Sunday Gleaner.
He said that while Napster was a very good promotional vehicle, with the music being exposed, their pockets were not seeing the benefit.
He feels that even if the use of the web site Napsters was curtailed, several other similar companies were waiting to take its place.
"So if we can come to a payment agreement it would be nice," Mr. King said.
And only with a payment agreement being reached would Desmond Young, president of the Jamaica Federation of Musicans, be willing to tolerate Napster.
Mr. Young said that he is willing to enter arrangements with record companies, who will get payment from Napster.
Entertainment lawyer Lloyd Standbury believes that artistes should get "some returns" from Napster, or act as a collective and get a lawyer to stop the Internet autocrat.
The Blues
But Napster's days might be numbered. The World Intellectual Property Office (WIPO) and its Jamaican arm are moving ahead with a treaty that should make the music-sharing company sing the blues.
The Jamaica Intellectual Property Office (JIPO), WIPO's local representative, told The Sunday Gleaner that a treaty is on the way to stop internet piracy.
Carol Robinson, senior programmes officer at JIPO, said that although what Napster allows is illegal, nothing can be done about them at present. But the treaty was coming.
According to her, two treaties were being drafted by the World Intellectual Property Office (WIPO) that should effectively put an end to piracy and illegal distribution over the Internet. If the copyright holder desires.
The WIPO Copyright Treaty and the WIPO Performances and Phonographs' Treaty needs to be signed by at least 30 countries to be effective. Up to March 2001 only 20 countries had signed, included members of the European Union. Jamaica is in the process of signing.
If there is a violation after the treaties are signed, legal action can be taken by the copyright holder.
Whether the artiste sees it necessary or not, they get more publicity. Still, their work is being exploited. This, like every other story, has at least two sides.
Shocking Vibes director Clyde McKenzie agrees.
He said that although the courts have ruled it as straight piracy and there is no revenue for the artiste, Napster et al, makes the artiste more popular.
"But I think the real Beenie Man fan will buy his album, as opposed to getting it from Napster," Mr. McKenzie said.
He added that as a matter of principle he is against what Napster does.
But it was VP Records' Shawn King, who expressed the general feeling of the entertainment industry in a nutshell. He said that despite the benefits of Napster and company... at the end of the day it was still a business.
The Grammy Awards: A hoax?
"THE perception that the Grammys give to the public is a hoax. Winning a Grammy Award has nothing to do with record sales, and it has absolutely nothing to do with the true quality of the song or album."
This was disclosed by Roger Steffens, Chairman of the Reggae Grammy Committee since 1985, in an exclusive interview with the Gleaner. Steffens, who is also founder of the Roger Steffens' Reggae Archives, which includes more than 300,000 titles on tape, record and CD, plus the world's largest collection of Bob Marley and the Wailer's memorabilia, is in the island as a part of International Reggae Day celebrations.
The 59-year-old reggae music icon is a professional author, actor, lecturer and photographer, and has hosted numerous reggae music radio and television shows during his career. In 1986 he was the first American to win the "Most Popular Reggae DJ in the World" Award from Martin's International and received an international Commendation Award for service to reggae music in 1991.
Inside workings
He took time out to share the inside workings of the coveted Grammy Awards, as well as his views on the current state of the reggae music industry.
"First of all, I am Chairman of what is a "screening" committee. This means I have no control over who gets nominated, or who wins the Grammy. I don't even vote!", he said.
Steffen says that in 1985, he was approached by the hosts of the Grammy Awards, NARAS (National Academy of Recording Arts and Sciences), and asked to head a committee for the reggae Grammy category. "They said that they 'realised they were missing something, by not having a reggae category'". Steffen was approached because of his highly popular radio program "Reggae Beat" on KCRW in LA, once called "the most popular non-commercial radio program in Los Angeles", which he co-hosted from 1979.
The Grammy nomination process begins when members of NARAS, mostly Los Angeles residents, submit their suggestions to the various committees, as to which albums should be included in each category. The screening committee then goes through each consideration for nomination. There are only seven members on the committee, and the submission must get a majority vote to get through to the first round.
"We just try to make sure that the submissions belong in the reggae category. Understand that the Grammy is given to the 'Best Roots Reggae Album Of The Year'. This is only one category, but ska, reggae, dj, kumina, dub poetry, all aspects of reggae have to compete in this one category!" he said.
After the decisions are made, ballots are sent out to the NARAS members, and the top five vote getters become the Grammy nominees. Then comes the critical second round, when NARAS members are instructed to vote on a limited number of categories (about ten) and the top vote getter wins the Grammy.
"We don't even know how many votes are cast each year in the reggae category. It could have been 500 and it could have been five. It has nothing to do with record sales, and has absolutely nothing to do with the quality of the album. Winning a Grammy has to do with the eclectic personal tastes of the handful of people who decide to vote in your category." The process, he said, was jeopardised by an even greater problem.
"Here is the other wild card. The larger record companies pay yearly dues for their sometimes thousands of employees as members of NARAS. Then, they will instruct their employees to vote for nominations under their individual record labels." Steffens noted that this was the exact reason why the Grammys seemed to be prejudiced to the particular record labels.
"Think about it. For example, a label like VP or RAS may have five or ten employees who are NARAS members, compared to a bigwig like Virgin Records with 500!
Steffens said that an album was only eligible for nomination if it was released in the United States, between October 1 and September 30 of the previous year to qualify.
"That's why many of the reggae albums nominated were sometimes never heard of in Jamaica. But as far as I can tell, winning a Grammy has no effect on album sales whatsoever!"