In the Arts Section of July 30, the printer's devil spilt the last lines of Steven Cramer and Ishion Hutchinson's poems. We reprint them here, with apologies.
Dorado
Royal palms all over; men shimmy up
the trunks, machetes clenched in their grins;
coconuts thud like dud bombs on the lawn...
At the edge of this U.S. protectorate,
sun mutes the frogs, whose choruses of night -
chirps named them: Co-qœi. By 'the world's
longest river pool,' hibiscus widen
red yawns; spider lilies and heliconia
mass in plots, their brass plaques, stolid
as palace guards, list phylum and class.
Our Hyatt has evolved a new wing -
one building, all time-share suites, teems
with whites like us. The old
crescent hotel
is closed except for the casino, its dreamed
future, more whites buying time, stalled
in litigation. At each turn,
shield-ferns block
unlit corridors; and elevators,
gap-toothed,
jam like pocket doors. From Celia,
orchestrating poolside shuffleboard,
or from Diego, the Bohio's quick-draw
bartender (so many years alert to thirst
his hair's gone gray along with ours) -
we hear their every gracias imply: amigo,
let us be the last resort of your empire.
But how one power ends, the next begins -
that's beyond us all. Halfway around the world,
in Beijing, thousands labour sunup to sundown
to fill our Banana Republics. A few Yuan
skim the first off a pallet of beach shirts,
then I'll pay eighty dollars for the last,
unbuttoning its silk off the manikin.
His pecs a brazen gold in the shop-glass,
he knows another Medium's on its way
to cover him. Capital: there's no more
chance to tame it than to rid the Swan Café
of Chongas - those aboriginal crows
Julio curses and fans three menus at.
Every year they thicken on the
netting,
peck a new hole in, raid unbussed tables,
crap on the plates, beguile then terrify
the younger kids. There's one now, and look:
another's battling a third over some fries.
- Steven Cramer