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Stabroek News

'Balls of Fury' a copy of sport comedies
published: Wednesday | September 5, 2007


David Koechner is Rick in 'Balls of Fury'. - Contributed

NEW YORK (AP):

You, with scripts of badminton drama, kickball glory, and tiddlywinks tragedy: Hurry to Hollywood.

From 2004's Dodgeball: A True Underdog Story to this year's Blades of Glory, comedies of unlikely sports are being churned out. But Balls of Fury, the new ping-pong romp, may signify the twilight of the trend.

There's no Will Ferrell here, no Ben Stiller. But, there's Dan Fogler, a Tony winner for Broadway's The 25th Annual Putnam County Spelling Bee.

Written by Reno 911! co-creators Thomas Lennon and Ben Garant (who also directs) Balls of Fury may be conventional for its mock athleticism, but there is a natural, fresh comedy about Fogler.

With long, thick curly hair, pointy mutton chops and portly body, he has the look of someone who accidentally wandered onto a movie set, shrugged, and decided to play along.

Fogler plays Randy Daytona, a former ping-pong prodigy haunted by his loss in the 1988 Olympics. Now washed-up, he's performing table tennis tricks at a Nevada casino. "I get introduced by a cockatoo," he explains.

Besides wearing Reebok Pumps, Daytona is clad in Def Leppard T-shirts, the de facto costume of ex-prodigies.

Ping-pong war

Because of his "unique skills", Daytona is called upon by an FBI agent (George Lopez) to infiltrate the lair of a criminal mastermind: the ping-pong-loving Feng (Christopher Walken).

Daytona must first improve his ping-pong skills so that he's invited to Feng's annual underground tournament. He turns to Chinatown's resident master, Wong (James Hong), who dispenses such platitudes about the game as: "She is like a fine, well-aged prostitute. It takes years to learn her tricks."

By teaching a white person, though, Wong risks banishment from Chinatown, "and, by extension, Orange County".

It's this kind of Naked Gun - style nonsense that is the best of Balls of Fury.

Once Daytona completes his rigorous training and proves himself by beating the menacing dragon (an eight-year-old girl), he gains entry to Feng's (literally) sudden-death tournament with the receipt of a Wonka-like 'golden paddle'.

Comedy excess

It should come as a surprise to no one that Walken is well-suited to playing a diabolical ping-pong enthusiast. He greets his guests ominously, but departs by bidding them 'toodles'. He says in his trademark pronunciation that his extravagant lair is "not much, but it's homey", and confesses he has no idea how to care for his panda: "I'm not really sure what they eat."

At the main event, a number of ridiculous champions of ping-pong converge, most notably Daytona's rival, the German Karl Wolfschtagg (Lennon). These scenes, like many in the film, are an exercise in comedy excess, featuring dual-paddle Siamese twins and a hulking, pecs-flexing giant with a soft touch.

Here and elsewhere, Balls of Fury reverts to Matrix-like camera zooms, pointless action sequences and as much double entendre as it can manage.

That may sound fine to some, but for others, it overshadows the movie's smarter slapstick surprises.

Once the match is finished and Balls of Fury is over, the cast sways to a rendition of Def Leppard's Pour Some Sugar on Me, joining in the tradition of the conclusions of films like There's Something About Mary and The 40 Year-Old Virgin.

But the movie has not earned such an encore and you're again reminded of the film's copycat genesis.

Sell your sport scripts if you can; the genre's end may be nigh.

Balls of Fury, a Rogue Pictures release, runs 90 minutes. Two stars out of four.

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