Marcia Rowe, Gleaner Writer

Fifteen years ago, Father Ho Lung sought PJ Stewart's expertise to design a set for his production, Ruby. Three sets later - Amazing Grace, Jesus 2000 and Moses - she prepares for Yes.

The Britain-born and Kenya-raised Stewart has spent more than half her life in Jamaica. And her relationship with the 'Brothers' began with her helping out at the 'centres' operated by Father Ho Lung.

The set designer reveals that there are challenges in designing a set.

Interpretation

"Unlike visual art, theatre does not work in isolation," said the mother of two and former wife of hotelier Butch Stewart.

"The set designer has to work in accordance with the director's interpretation and provide the levels required by the dancers."

The National Arena - the venue for the September 27 and 28 show - was abuzz with activity when The Gleaner arrived. Orrett Coleman, Stewart's assistant, and crews of 'Brothers' were working in earnest in preparing the set.

The set designer, a graduate of Hammersmith School of Art in London, says that the initial planning began in March and set construction lasts two weeks. However, she believes her biggest resource is the 'Brothers', who work night and day on the project.

Yes is set in Jamaica's capital and Stewart's backdrop depicts buildings found in Kingston.

"It (the set) incorporates elements from architectural details from buildings in the city," Stewart said.

Like all of her set designs, Yes will be spectacular.

PJ Stewart, set designer for 'Yes'. - Junior Dowie/Staff Photographer